giovedì 11 novembre 2010

BAC! Festival internacional de arte contemporáneo de Barcelona



After completing its first decade, the change that the Barcelona Art Contemporary Festival had been predicting has arrived. An innovative change, as perceptible as it is intangible, BAC! Enters the 4thdimension: TIME.
In a period in which different artistic, scientific, philosophical and technological disciplines interact freely, finding, creating and dissociating as part of an uncontrollable ritual dance, TIME is introduced as a brush that captivates an increasing number of art lovers, both emissaries and receivers.
TIME, divine mystery and mortal fear par excellence, becomes an active part in the world of perceptions, multiplying the artistic experience through incalculable visual impacts which choreograph a lasting sensation. Audiovisuals enter the artistic sphere with a sweeping momentum.
Gone are its difficult beginnings, when a few pioneers knocked themselves out creating a vanguard of moving images that was hardly taken into account. Only after this ordeal, a collective consciousness arises, having digested this evolution and, not even the most conservative can any longer contain the overwhelming expansion of one of the most contemporary means of expression.
A means which is not only able to sublimate all the senses, but also adds a dimension of vital importance that demands our attention: TIME. Professional artists and enthusiastic amateurs investigate this new set of brushes and paints, relying on technology without prejudice and bravely accepting today's challenges.
The latest BAC! presents the special relationship of art with the space-time binomial, promoting the infinite, simultaneously occurring combinations of the multidimensional nature of such work : Timebased Art.
A complexity that is expressed in the human experience as such, and through the interaction of all these forces creates the ethereal dimension, TIME. With the visitors’ interaction and their own space and time, the show will provide the approach to the binomial with infinite permutations.
The fourth dimension is defined as a simultaneous, massive, metaphorical, and deeply intertwined with life experience. It is a dimension that contains movement, the object of numerous art historical investigations and the axis of art movements and disciplines as important as cubism, futurism, kinetic art, comics, film and, of course, video art. Within this historic and universal fascination with exploring the space-time continuum, BAC! takes revisits the invited country context, presented in previous editions. Japan will be the guest country in this next edition, selected for its innovative artistic proposals and researches.
Within this framework, BAC! Begins the new decade inviting us to explore notions of space and time using today's most advanced artistic technologies, allowing to discover virtuous talents working with the genres that intrinsically employ TIME in the palette. Respecting the broadly open conceptual line that characterizes BAC!'s previous editions, this year, the proposal is even more emphatic, with a quest to reflect together on the different ways in which the time dimension itself affects human existence. Time does not stop or repeat itself, it is intrinsically linked to change. Welcome to the art of the fourth dimension.

Santa Monica headquarter at Rambla,7

martedì 2 novembre 2010

Loretta Lux at GalleriaCarlaSozzani

the typical "casa di ringhiera" building in Corso Como 10 that hosts the gallery


How do we imagine the children who inhabit fairy tales – and the children who listened to those tales?
Nowadays, we have lost the time to read these stories anymore or hear them read to us.
Our world – visual, fast and intuitive – has been replaced with television, dvd’s and thousands of cartoons.
These children however are still in our memory; in our daydreams; in the ambiance of the magic of early 20th century movie making and in treasured family portrait albums.
These are Loretta Lux’ children.
Loretta Lux uses the magic of contemporary photographic techniques to transform one image into another.
Having studied painting before taking up photography, Loretta Lux’s careful analysis of classic portrait painting has inspired the balance between a clearly fixed portrait composition and the application of cutting edge photographic technology.
Contemporary children pose for her photos, dressed as though coming from the past and placed in backgrounds so calm and peaceful that the lack of movement gradually becomes alienating. Loretta Lux is a master at creating this undercurrent of disturbing emotions while observing such calm. Her children become the children of Grimm’s fairy tales, not truly innocent. Totally present as they watch. As flickers of subtle cruelty move across their pretty faces and big eyes, they watch impassively as the world and our future opens before them.

on show at GalleriaCarlaSozzani, Corso Como 10 (Milan)
from 10th September to 31st October 2010
Tuesday, Friday, Saturday, Sunday, 10.30 am – 7.30 pm
Wednesday, Thursday 10.30 am – 9.00 pm
Monday, 3.30 pm – 7.30 pm

lunedì 1 novembre 2010

Milan is growing up...

the new Porta Nuova complex from the "10 Corso Como" rooftop

construction yard of the new Cesar Pelli tower in the Porta Nuova complex

covered square in the new Regione Lombardia headquarters designed by Pei Cobb Freed & Partners

domenica 31 ottobre 2010

Fuck you! The giant middle finger made by Cattelan will not be removed from Milan


the mocking sculpture made by Maurizio Cattelan in front of the stock exchange in Milan should have been removed on October 25th. However after a telephone conversation between the artist, who was in New York, and the Mayor of Milan Letizia Moratti, it was chosen to keep the masterpiece there at least until Christmas. Cattelan welcomed the decision with surprise and said that was a sign of how Milan is a really avangarde city.

venerdì 29 ottobre 2010

John Baldessari presents: "The Giacometti Variation"

John Baldessari and sketches for two mannequins

row of Giacometti mannequins revisited and disguised by Baldessari inside the industrial space of the Prada foundation

particular one of the installations inspired by Giovanna D'Arco

photographer Manuela Pavesi

Miuccia Prada

architect Cino Zucchi

the incredible slide made by artist Carsten Holler connecting Miuccia Prada’s office to the car park inside the Prada headquarter in Milan

Milan_Californian artist John Baldessari has designed a totally new project for the Prada Foundation, entitled "The Giacometti Variations." It consists in a series of massive figures, about 4.5 meters high, inspired by the imagery of the Swiss sculptor, who will be dressed and accessorized with items and clothes, designed by himself, to form a hypothetical parade.


"I’ve always wanted to do tall paintings and sculptures. I suspect it’s because I am quite tall. I’ve had little opportunity since most galleries have wall heights that mirror the wall heights of collector’s homes. A few years ago, I was invited to show in Haus Der Kunst, Munich. Since the entrance hall is extremely tall, I began thinking about tall work I could do there to capture the space. One of my ideas was the idea that I have proposed to the Prada Foundation. My plan is to elongate standing Giacometti sculptures and clothe them with garments. To extend an extreme existing idea to it’s logical conclusion has been a working method for me. Giacometti figures are the most skinny and emaciated sculpture that exist. Why not push that further? Also there currently is a blurring of art and fashion. Furthermore it is au courant, almost de rigueur that fashion model be extremely tall and thin. Why not fuse the two- art and fashion since that idea is in our zeitgeist? I’m sure I was also inspired by the Degas Ballerina sculptures clothed with real tutus. The finished work would be the row of columns (at the foundation building)
alternating with clothed attenuated pseudo Giacometti figures. Is this parody? I’m not sure. I hate categories and definitions- I certainly am borrowing. Isn’t this what artists do? Doesn’t art arise from art? What I am doing is furthering an idea- that is the requirement of any good art.”
John Baldessari, December ’09

The exhibition is at Fondazione Prada in via Antonio Fogazzaro 36 (Milan) from 29th october to 31st december 2010

domenica 24 ottobre 2010

Is There Art on YouTube? Guggenheim Wants to Find Out



On October 21, the top videos selected by the YouTube Play jury were revealed and celebrated at the Guggenheim Museum in New York. The videos, which can be viewed on youtube.com/play, will be presented at the Guggenheim Museums in New York, Bilbao, Berlin, and Venice on October 22–24, 2010. They comprise the ultimate YouTube playlist: a selection of the most unique, innovative, groundbreaking video work being created and distributed online during the past two years.